Inspiration: Olaf Sztaba & The Canadian Rockies

This is a special double feature inspiration post, both the photographer and location—the Rockies of my home country, Canada—are inspiring.

New to my personal feed is a fellow called Olaf Sztabo. He’s been posting some fantastically composed images with marvellous black and white processing from a recent trip through the Rockies. He’s inspired me to take another look at some of my own images from my time there.

His is a Twitter handle worth following. Below is just a small selection of what Olaf has on offer at his blog, where he truly has captured the majesty that is the Canadian Rocky Mountains.

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X-T1 Firmware Malfunction

Fujifilm issued an official notice for X-T1 owners today. A “malfunction” that can cause the camera to freeze when shooting in AF-C mode was found. If your camera is acting up, it can be remedied by way of Firmware Ver.4.21. A new version of the firmware that includes the new features in 4.20 will be posted in January.

Bummer, but nice to see Fuji taking quick ownership of this one.

Rob Zeigler: XF 50-140mm f/2.8 Review

Nice review of the XF 50-140mm→ from Rob Zeigler, complete with current-movie-release themed product photography, and a wide array of sample photos:

This lighting reminds me of a certain big-screen villain.

This lighting reminds me of a certain big-screen villain.

This is one area where the 50-140mm f/2.8 kind of fell flat for me. 140mm just doesn’t seem like that much reach, but that might be because I have the 50-230mm f/4.5-6.7.

It’s interesting how different histories can colour one’s perception. Before moving to Fuji, I’d never owned a lens that reached beyond 85mm in 35mm equivalence. The 50-140mm felt like peering through the Hubble space telescope at 140mm for me. That new Super Zoom is going to be like seeing through time.

Rob’s conclusion largely echoes my own with regards to this lens, it’s a workhorse, built for pros. It’s become my “go-to” for virtually all my work-related photography, but I almost never use it casually. Having said that, I will be venturing out with a friend for some winter bird photography for the first time and this lens along with the XF 1.4X Teleconverter→ will definitely be glued to my X-T1.

Bottom line, you already know if you need it.

Inspiration: Thomas Menk

As a reader of this site, you almost certainly already know Thomas Menk as the hardest working guy in Fuji curation. Lately, I’ve been enjoying the appearance his work as a photographer in my Twitter feed even more.

While I’ve always enjoyed Thomas’ photography, I really like the the images he’s been posting from a recent workshop in Venice. The processing is sublime. There’s a feel to them that I haven’t seen from him before that stops me from scrolling, and compells me to just enjoy the image.

Check out more of Thomas’ work here.

Inspiration: Valérie Jardin

Of the 385 or so “Official X Photographers” Fuji have, only about 30 are women. That’s a mere 7%. Happily, another woman has joined their ranks, and for good reason. Valérie not only has a wonderful eye for clean, minimalist images, she’s also able to capture slices of life and moments of subtle brilliance. To pay small tribute to her well earned induction, Valérie is the perfect choice for a bit of inspiration. You can see much more of Valérie’s work on her website, or hear her on her podcast, Street Focus.

It’s great to see more gender variety added to an already culturally-diverse roster of photographers. Let’s hope the trend continues and that percentage cracks double digits soon.

As a reminder for Fujifilm UK, my very first Inspiration piece was on Verity E. Milligan, another perfect candidate for X Photographer status.

Man, I need to find some photographers who like colour a bit more!

Fujifilm Blog; Interview with Takashi Ueno

Fantastic interview with X-Series product planner, and certified photo master expert, a moniker that makes the fact this interview was conducted in Japanese gloriously obvious. Mr. Takashi Ueno reveals more on why Fujifilm opted for APS-C instead of full frame, and their lens strategies. Here are some highlights.

We have official confirmation on the red badge:

Yes, the red badge series are the zoom lenses intended for the professionals.

Regarding the XF 56mm f/1.2:

If the minimum working distance had been 40cm with the compromise on the image quality on the peripheral parts, then we had to extend the focus lens movable range. And as a result, the lens will be bigger and autofocus speed will be slower.

Our priority was to create a lens that has high resolution from corner to corner and that has adequately fast autofocus, so the minimum working distance became 70cm, which is enough for portrait photography – its presumed purpose.

I personally haven’t heard any complaints about the minimum focusing distance of the XF 56mm f/1.2, and in fact, it’s 15cm closer than an 85mm lens from Nikon. The impact on AF pace with closer focusing distances is interesting though, and explains the the necessity of a quad-linear motor in the XF 90mm f/2, which focuses as close as 60cm.

And Ueno’s recommend first lens for photographers new the X-Series?

I would recommend the XF18-55mmF2.8-4 as the gateway to the X series. As I said earlier, although the lens is a kit lens for starting out, it doesn’t mean that the image quality has been compromised.

While the XF 18-55mm f/2.8-4 is nowhere to be found in my Recommended Kits, I can certainly vouch for its quality. The image used in my masthead1 is a panoramic captured with the first interchangeable Fuji kit I owned, the X-E1 and XF 18-55mm f/2.8-4 kit lens. You could do a lot worse that this kit lens. →

  1. I’ve attempted to update this image on a number of occassions, but I’m always unsatisfied with anything else I place there. I love the fact it came from my first interchangeable Fuji, and is a testament to what the first generation of X-Series is capable of.

X-T1 Ver.4.00 and the Future of Firmware

Today is the big day. If you’ve got an X-T1, you’re about to get a partially new camera. X-T1 Firmware Ver.400 adds some great new features, and refines others.

There really is only one write-up so far that needs your attention, and that’s Damien Lovegrove’s over at ProPhotoNut. Damien struggled to incorporate Fuji “New Autofocus System” into his own professional workflow, preferring instead to stick with single point AF that he adjusts as needed, however he had more success when it comes to action and fast(er)-moving subjects that can be easily isolated, but there appears to be a speed limit. I also share Damien’s theory of a foreground bias when it comes to Zone/Wide AF areas.

I’ve decided not to compose yet another rundown of what the new firmware update includes since most of that can be found in my X-T10 review. What’s interesting to me is what was excluded, and where I think Fuji should take their firmware in the future.

UI Inconsistency

First and foremost, I don’t want this to come across as looking a gift horse in the mouth.1 I absolutely love what Fujifilm are doing with their firmware upgrades and appreciate it immensely. I wonder, though, if they could do things in a different way that would ultimately be better for Fuji and their customers.

The strangest thing about Firmware Ver.400 for me is that the user interface on the LCD of the X-T1 has not been updated to match not only the X-T10 and X100T, but the UI in the X-T1’s own EVF, which is especially strange since it was the X-T1 that delivered this new UI to begin with. It has resulted in many of the screen items (histogram, exposure compensation, dynamic range, etc.) appearing in different locations on the X-T1 LCD, the X-T1 EVF, and the X100T’s LCD/EVF.2

I have other gripes about the overall consistency of the user experience with these cameras, especially when moving between multiple Fuji cameras, but this UI weirdness exemplifies it perfectly.

One Firmware to Rule Them All

In a recent post, I wrote about how the firmware for each camera is handled by a different team. This, in my opinion as someone who has never actually worked for a camera company before, is the crux of the problem. Imagine if Fuji treated their camera “firmware” as what it actually is, an operating system. In this imaginary world, Fujifilm X-OS, as I’ve dubbed it, would be consistent3 across every camera they make, and available to as many cameras as possible. What I mean by that is the UI can change and evolve across all their cameras, all current cameras would be consistent in their overall user experience, but more processor intensive features like maybe the new AF system would not be available on older cameras that can’t handle them.

Does this approach to operating systems sound familiar? It should, it’s Apple’s. Apple runs a pretty tight ship when it comes to iOS upgrades, and Fuji could do a lot worse than emulate them to the letter when it comes to updating theirs.

This would result in Fujifilm X-OS upgrades to all eligible cameras at the same time, bringing all cameras in line with the same consistent operating system, meaning less of an overall investment in development resources across the various body types so things like no Classic Chrome for the X100S could be avoided, as it would be bundled with the overall OS update.

I’m probably over-simplifying, and could very well be overlooking a ton of logistical nightmares this strategy presents, but it would be awfully nice for Fuji to bring this kind of consistency across the camera line-up, and it seems like it would be worth it in the long run. Maybe the next generation of cameras can usher in a new era of camera OS from Fuji. In the meantime, I’ll be enjoying the awesome update Fuji has given us for the X-T1, and patently awaiting that X100T update.

  1. What a bizarre phrase.
  2. The X100T has its own problems like the histogram being in different places in the OVF vs. the EVF.
  3. At least, as consistent as possible. Concessions would need to be made for cameras with more dials, and those with fewer, but it’s a design problem I’m very confident could be solved.